A tempo pieno , un titolo che non riesce a trasmettere ancora una volta la sottile amara ambiguità del suo originale, ma per fortuna il film di suo vi riesce perfettamente, costruendo una progressiva, costante e quasi insopportabile angoscia per il suo protagonista, un uomo dedito alla menzogna verso i propri familiari e amici, per non rivelare la sua mancanza di lavoro.
Vincent (Aurélien Recoing) è un professionista sicuramente abile e preparato e non si comprende inizialmente il perché del suo vagare senza meta lungo le autostrade e gli autogrill francesi, telefonando alla propria consorte per raccontargli giornate fatte di incontri con clienti mai visti, sparsi per il territorio, as if nothing had happened, as if his home life is to continue smoothly, without smearing, not to feel the weight of responsibility, guilt, a failure that the company in any case recognize you when you no longer have a job because you are identified for what they professed and the second represents a specific social ladder and collar.
So with the passage of time Vincent, believed to be free, to be able to move free from everything and everyone, including their own lies and be able to safely return home to his family every weekend, he slowly finds itself having to terms with their reticence, with its well-hidden secret at all, because it is the family same force him in good faith or not to pose in front of a reality that does not seem to see or which can not escape, as the bitter end of apparent reconciliation with his life and aspirations evidence to suggest that the viewer.
Laurent Cantet director who is always shown an interest and an uncommon sight to analyze and disrupt aspects of our society, often linked to a key issue as the work, creating a work incapable of growing old can be constantly present, capable of affecting the heart and stomach through the representation of what is the meaning and importance of the work for us all and the primal need it sheets, to become the generator of a social mechanism that seems inexorably trapped and from which Vincent would like to get free, but awareness will be very hard for him to the point of fear for a final tragedy, but the silence, the reluctance, the interpretation , all of which are typical of French cinema, in a sublime developed by Cantet, the show inspired by a true story with adverse outcomes in reality, could become in the hands of an author, as the above, a universal parable of our times and each time when we can expect to live and work.
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