Mike Leigh's new film proves once again, as if there were any doubts, as the British director is a very good writer, film director and actors. His narrative ability is all the dialogues and situations in life that can incorporate images, creating a sort of common thread in almost all its work, in which the lives of its protagonists are crossed by a melancholy and bitterness background that almost never ends in themselves, but above are a faithful representation of the very existence and everyday life, allowing an identification and sharing rare in cinema.
not Leigh waiver describe bizarre characters and misfits that seem to be an essential archetype of his films, which once again and in this particular case becomes even more intimate and reflective of time passing, as the title clearly evokes, building an ensemble film in which the main contact person is a happy couple, which revolve around a series of emblematic figures are representative of the human comedy of the English.
The very choice of music, the dialogue never artifacts and figures that make up the framework, are fundamental and essential elements of his films, which can also annoy and distancing the viewer, but undeniable is his ability to describe never unambiguously , though alluding but intelligently and in a manner intelligible to human tragedies and underlying conditions in the relations that link the various protagonists.
Leigh loves actors also recovered his previous works to insinuate in his story, as Imelda Stauton, which appears in a cameo, that intrigues and creates the conditions for a story of suffering and hardship, typical of his movies, but deliberately avoids to deepen, perhaps because his character contains in itself a tragedy that can not find an outlet for discharge, but neither is the protagonist behind, but not that much of the story told here seems to find an answer to your concern, but certainly not taking refuge or looking for an outlet visits Leigh to his friends and this helps us to understand with the passage of the seasons and the evolution of the story, once again giving us food for thought, smiles, even bitter, but with the knowledge that you have once again experienced a moment of real life and plausible.
aspects that perhaps will ask you questions on the need for such vision and fruition, but the face of this writing is spontaneous approach, at least for a moment and reflect on who knows maybe even some ideas trarvi positive that despite bitter aftertaste His cinema is still capable of giving us, but without wishing to sound smug and complacent.
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