Wednesday, December 1, 2010

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Porco Rosso

Il recupero costante e progressivo del cinema di Miyazaki, cui si sta assistendo in questi ultimi tempi, è un'operazione decisamente apprezzabile e necessaria, che dimostra come il cinema d'animazione non debba per forza essere considerato oggetto di fruition only child, as the same is relegated as such.
We are not dealing with a simple author Anime for fans of the genre, but to a director capable of telling stories through his imagination can send messages and signs are not trivial, surely an adult can fail to appreciate and fully understand and which belongs to childhood many of us.
The historical and geographical setting of the film shows how the Japanese love the flight director and Italy, giving back some ideal image, but some followers of a moment, that the rise and consolidation of Fascism, which are for 'Starting an author critical of the excesses and social aberrations that often we were able to and where we still come across to the very nature of our people.
Figure theriomorphic the protagonist recalls, as well as other elements in the film, in many ways typical of the director and narrative elements that create a constant theme and a stylistic and precise recognition of that. The choice of animation still able to rely on the use of manual drafting with respect to computer graphics or 3D prevailing attitude show no retrograde or antediluvian, as many would call the light of advances in technology, but actually a love and a respect for and confidence in their art work that distinguishes human le sue opere.
Miyazaki, ancora una volta, dissemina il racconto di riferimenti storici e geografici precisi, in cui si apprezza una ricostruzione quasi sironiana della Milano del tempo e i suoi Navigli, quali canali di comunicazione e di lavoro fondamentali per la città di quel tempo.
Porco Rosso potrebbe apparire come un'opera molto personale per il regista, in realtà come altri suoi lavori ci aiuta a sognare e ad amare i luoghi e i personaggi dallo stesso rappresentati e trasmette messaggi critici sottili allo spettatore, attraverso vicende in cui tutto, anche i cattivi sembrano sfumati e sfumare, come e quasi sempre nelle sue storie, salvo alcune eccezioni in cui il male viene definito con maggiore nettezza. Another feature that shows the great sensitivity of the director and his prudence and discretion in shaping the affective relationships between male and female characters, in which everything remains suspended and is mentioned with respect, being able to shoot better than many other directors emotional nuance often banal.
Porco Rosso, as the Red Baron, is also an ace pilot and as such a solitary individual who shuns human company, except for rare and necessary occasions, always flying in the clouds, provided that the flight a sense of absolute freedom unfettered by any social constraints and human, because then the animal's condition that distinguishes it from further rest of humanity and also with a certain pride in the light of the historical period in which he finds himself living and fight for their survival and for the honor of the women he loved, though with the detachment of a character as free as the wind argues that the wings of his airplane.

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