French film production, or rather French, although Besson seems to be one that winks with ease overseas, known to be truculent in the right place when he wants and this product is not short of blood and underlying perversion, that with the unfolding of history will then be clear to the surface.
tale that plays on references to the slasher genre to see him and that shows how even Tarantino has then winked to the film itself, in short, a copy of a copy, or better references of references in a kind of mise en abime horror film.
The sexual element is more explicit and less in other contexts and underlying followers and this is a more or less shared the product of modernity, but at the end of it all, despite the atmosphere functional, cross-references to figures that lie directly to elements from the Brothers Grimm fairy tale style, or simply to archetypes of fear and terror, vital for the solution, as initially seem disappointing or work as appropriate and tastes, clashes, as soon as the vision, with the strict logic of the meaning of the story, unless you do not want to bring the whole idea, a dream or better a nightmare of the protagonist.
A projection of the mind that could make sense of what kinesthetically would not be possible, but the film so there has shown how to teach the theoretical and the medium itself, the image is deceptive, the story itself comes from who we should be always or almost occurred at the end of the game and is the author winking in proposing an idea, a representation of the horror that remains imprinted in the retina at the end, just need to rethink how well it is developed after understanding and should revisit the meaning of all those deaths that pervades the story and then if you really want to be picky doubt it arise and the answers contradict each other and chase each other as the movie itself, leaving some doubt inevitable, at least for myself.
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